Monday, October 10, 2011

Gabrielle Archer in "Agnes of God"



Our very own Gabrielle Archer, the hard-working actress from Miranda and One Hour 2 Live is in the NJ-based stage performance of "Agnes of God."

(Word on the street is that Gabrielle also fantastic in Kent Sutton's upcoming web series Abandoned).


The performance dates will be announced and will take place at Mary Burch Theatre

At Essex County College

303 University Ave, Newark, NJ

Stay tuned for more details!

- Lena

Ryan Gosling's Advice: Go DIY

The great Ryan Gosling sympathizes with actors about the audition process and empowers actors to create their own projects that are tailor made for them. Recorded at The Ides of March Q&A with George Clooney, Marisa Tomei & Evan Rachel Wood, los angeles 9/ 2011



- Lena

Jones Panel NYCC

by Arnie Fenner







If you're going to be in New York this weekend and are lucky enough to have a ticket to the sold-out New York Comic Con at the Javits Center, make sure to pencil in Maria Cabardo's panel and preview of her documentary, Better Things: Life + Choices of Jeffrey Catherine Jones. The film is very much a labor of love (what documentary isn't?) and has been in the works for the past three (+) years. Every clip that I've seen so far is compelling, honest, and unforgettable: if you have time for only one panel during the con, I'd suggest to make it this one. It will be a great way to remember Jeff and to show Maria some much appreciated support.











Sunday, October 9, 2011

Iron

The following music video was recommended to me this weekend, and touted as being the moving equivalent of a Sam Weber painting. Sure enough, the video is pure eye candy, and evokes a wonderful mood that any SFF illustrator is sure to appreciate.



Perhaps not so coincidentally, the musician, Woodkid, was an illustrator at one point in his career.



Thursday, October 6, 2011

Queen of the Demonweb Pits Cover demo


This is an old cover I did for WOTC years ago that I actually saved some
steps. Usually my steps in a painting are fairly incoherent. For whatever
reason, this painting was done more methodically. There’s still lots of
searching going but the boundaries are there and were for the most part
unchanged till the end. The painting is digital of course, and was completely
done in Painter. 


 




 The first stage with this illustration was to give the Art Director a couple of ideas. Basic composition stuff. Done in Painter with the scratch board tool. He picked the third one.


 




 


 Going with this one, I fleshed it out  a bit more with value before diving into color. its rare for me to take a sketch that far as most of my love of painting comes from discovering the image as I go.










I did a fill here to get my under painting color. Next I started glazing with the Digital watercolor. 














More Digital watercolor with the air brush tool for the opaque. 


 








 


More color added with glazes. Working into the shapes with more definition.











Finished painting. Between this and the last stage was just working through glazes of color, trying to keep my shadows transparent, refining my lights.



Warmer Air





Jeremy Geddes has been hard at work, producing pieces for his upcoming show at Jonathan Levine Gallery next year. Most of the work will be figurative, departing from his past 'Cosmonaut' series. However, Jeremy has decided to do three last paintings exploring the cosmonaut theme, all of them miniature. Here is the first of the three said paintings, entitled 'Warmer Air'. The piece is typical of Geddes' work, moody and highly detailed. What makes the level of detail even more amazing is the painting's size... just 13 x 22 inches!





Jeremy is offering limited prints of this piece, reproducing the image at it's actual size. More info on the print can be found HERE.

3 Simple Rules For Nailing Your Auditions


Shari Shaw of NoHo Arts District has some great advice for actors. Here is her piece below:




3 Simple Rules For Nailing Your Auditions

Acting and Auditioning are two very different experiences which require two very different disciplines. Acting is fun! Auditioning isn’t! So you have to work twice as hard at it because if you don’t nail your audition, you won’t get the chance to do any acting.

When you are acting, you are living the part, experiencing moment-to-moment, giving and taking, playing off the other performers, expressing your creativity and passion. You break down a script scene-by-scene, line-by-line, to understand what is being said and how your character contributes to the story and moves it forward.

Auditioning demands something entirely different. You have to create an essence of the life of a character and inspire confidence in others that you are the right actor for the job. Auditioning is not really acting; it is a sales job, the business end of acting. You are attempting to sell a product (yourself) to a buyer (casting director, producer, agent, whoever). And you’ve got three minutes to do it, in a room with people who are often not on your side and don’t really care if you succeed. If you’re lucky, you get a day to prepare your scene, sometimes just a couple of hours prior to the audition, sometimes you go in cold with no more than a few minutes to read the scenes over once or twice.

So, how can you be relaxed, specific, confident and special to those judging you during your scant few minutes in the audition room AND properly sell yourself? Here’s three simple rules:

RELAX. There are numerous types of relaxation techniques. I have my students imagine they are in a soothing shower with hot, steaming, water cascading over them. They breathe deep, smelling the soaps and scents, feeling the steam that envelops them from head to toe. This will ground you to the Earth, center you and take away your tension and anxiety.



MAKE SPECIFIC CHOICES. Know your intention; determine who you are, what you want and how you’re going to go about getting it within the scene. This defines your character, brings what you say to life and makes you interesting thus distinguishing you from hoard of other actors parading in and out of the audition room. Making specific choices tells the casting people you are a serious, seasoned, actor who can be trusted with a part. If they don’t buy what you’re selling this time, they’ll remember you next time around.

Finally, and most importantly, CONFIDENCE IS EVERYTHING. You can’t be commanding in the room if you don’t believe in yourself and exude confidence. Have a little story to tell to introduce yourself, the key word being “little”. Over-talking will kill your audition. A little story about a recent trip, job or event that can be organically worked into the conversation. Funny is always good but definitely keep it upbeat and positive. No complaining or whining! It breaks the ice, showcases your personality, distinguishes you from everyone else, helps you grab the psychological advantage and builds confidence by making them your audience instead of you being theirs.

These simple tips will help you take control of your auditions and make every read a great one. Acting is subjective. So, take chances, give it your very best and let go. Celebrate being an artist.

Shari Shaw Studios teaches four classes per week in Studio City, three with emphasis in audition technique; Advanced Sit-Com, Intermediate Drama & Comedy and The Basics which also includes scene work, character breakdown and development and script breakdown. Shari’s Thursday Night Advanced Scene Study goes into greater depth for character development and breaking down scripts. Please visit www.sharishawstudios.com for more information or call 818-505-1225 to sign up for on-going classes or to schedule a private coaching session or introductory consultation.